Drop sonar buoys. Listen. Triangulate.
Read Becky Oskin’s full story. Fascinating next wave tactics for the new Ahabs.
Here’s you second daily chapter call. Read it. Love it. Want to remake it. Then go make something and send it to us.
Chapter 31. Queen Mab
Next morning Stubb accosted Flask.
“Such a queer dream, King-Post, I never had. You know the old man’s ivory leg, well I dreamed he kicked me with it; and when I tried to kick back, upon my soul, my little man, I kicked my leg right off! And then, presto! Ahab seemed a pyramid, and I, like a blazing fool, kept kicking at it. But what was still more curious, Flask—you know how curious all dreams are—through all this rage that I was in, I somehow seemed to be thinking to myself, that after all, it was not much of an insult, that kick from Ahab. ‘Why,’ thinks I, ‘what’s the row? It’s not a real leg, only a false leg.’ And there’s a mighty difference between a living thump and a dead thump. That’s what makes a blow from the hand, Flask, fifty times more savage to bear than a blow from a cane. The living member—that makes the living insult, my little man. And thinks I to myself all the while, mind, while I was stubbing my silly toes against that cursed pyramid—so confoundedly contradictory was it all, all the while, I say, I was thinking to myself, ‘what’s his leg now, but a cane—a whalebone cane. Yes,’ thinks I, ‘it was only a playful cudgelling—in fact, only a whaleboning that he gave me—not a base kick. Besides,’ thinks I, ‘look at it once; why, the end of it—the foot part—what a small sort of end it is; whereas, if a broad footed farmer kicked me, THERE’S a devilish broad insult. But this insult is whittled down to a point only.’ But now comes the greatest joke of the dream, Flask. While I was battering away at the pyramid, a sort of badger-haired old merman, with a hump on his back, takes me by the shoulders, and slews me round. ‘What are you ’bout?’ says he. Slid! man, but I was frightened. Such a phiz! But, somehow, next moment I was over the fright. ‘What am I about?’ says I at last. ‘And what business is that of yours, I should like to know, Mr. Humpback? Do YOU want a kick?’ By the lord, Flask, I had no sooner said that, than he turned round his stern to me, bent over, and dragging up a lot of seaweed he had for a clout—what do you think, I saw?—why thunder alive, man, his stern was stuck full of marlinspikes, with the points out. Says I, on second thoughts, ‘I guess I won’t kick you, old fellow.’ ‘Wise Stubb,’ said he, ‘wise Stubb;’ and kept muttering it all the time, a sort of eating of his own gums like a chimney hag. Seeing he wasn’t going to stop saying over his ‘wise Stubb, wise Stubb,’ I thought I might as well fall to kicking the pyramid again. But I had only just lifted my foot for it, when he roared out, ‘Stop that kicking!’ ‘Halloa,’ says I, ‘what’s the matter now, old fellow?’ ‘Look ye here,’ says he; ‘let’s argue the insult. Captain Ahab kicked ye, didn’t he?’ ‘Yes, he did,’ says I—’right HERE it was.’ ‘Very good,’ says he—’he used his ivory leg, didn’t he?’ ‘Yes, he did,’ says I. ‘Well then,’ says he, ‘wise Stubb, what have you to complain of? Didn’t he kick with right good will? it wasn’t a common pitch pine leg he kicked with, was it? No, you were kicked by a great man, and with a beautiful ivory leg, Stubb. It’s an honour; I consider it an honour. Listen, wise Stubb. In old England the greatest lords think it great glory to be slapped by a queen, and made garter-knights of; but, be YOUR boast, Stubb, that ye were kicked by old Ahab, and made a wise man of. Remember what I say; BE kicked by him; account his kicks honours; and on no account kick back; for you can’t help yourself, wise Stubb. Don’t you see that pyramid?’ With that, he all of a sudden seemed somehow, in some queer fashion, to swim off into the air. I snored; rolled over; and there I was in my hammock! Now, what do you think of that dream, Flask?”
“I don’t know; it seems a sort of foolish to me, tho.'”
“May be; may be. But it’s made a wise man of me, Flask. D’ye see Ahab standing there, sideways looking over the stern? Well, the best thing you can do, Flask, is to let the old man alone; never speak to him, whatever he says. Halloa! What’s that he shouts? Hark!”
“Mast-head, there! Look sharp, all of ye! There are whales hereabouts!
“If ye see a white one, split your lungs for him!
“What do you think of that now, Flask? ain’t there a small drop of something queer about that, eh? A white whale—did ye mark that, man? Look ye—there’s something special in the wind. Stand by for it, Flask. Ahab has that that’s bloody on his mind. But, mum; he comes this way.”
For the next few weeks, we’ll offer a chapter a day. Read it. Love it. Want to remake it. Then go make something and send it to us.
Here’s the first open chapter call.
Chapter 14. Nantucket.
Nothing more happened on the passage worthy the mentioning; so, after a fine run, we safely arrived in Nantucket.
Nantucket! Take out your map and look at it. See what a real corner of the world it occupies; how it stands there, away off shore, more lonely than the Eddystone lighthouse. Look at it—a mere hillock, and elbow of sand; all beach, without a background. There is more sand there than you would use in twenty years as a substitute for blotting paper. Some gamesome wights will tell you that they have to plant weeds there, they don’t grow naturally; that they import Canada thistles; that they have to send beyond seas for a spile to stop a leak in an oil cask; that pieces of wood in Nantucket are carried about like bits of the true cross in Rome; that people there plant toadstools before their houses, to get under the shade in summer time; that one blade of grass makes an oasis, three blades in a day’s walk a prairie; that they wear quicksand shoes, something like Laplander snow-shoes; that they are so shut up, belted about, every way inclosed, surrounded, and made an utter island of by the ocean, that to their very chairs and tables small clams will sometimes be found adhering, as to the backs of sea turtles. But these extravaganzas only show that Nantucket is no Illinois.
Look now at the wondrous traditional story of how this island was settled by the red-men. Thus goes the legend. In olden times an eagle swooped down upon the New England coast, and carried off an infant Indian in his talons. With loud lament the parents saw their child borne out of sight over the wide waters. They resolved to follow in the same direction. Setting out in their canoes, after a perilous passage they discovered the island, and there they found an empty ivory casket,—the poor little Indian’s skeleton.
What wonder, then, that these Nantucketers, born on a beach, should take to the sea for a livelihood! They first caught crabs and quohogs in the sand; grown bolder, they waded out with nets for mackerel; more experienced, they pushed off in boats and captured cod; and at last, launching a navy of great ships on the sea, explored this watery world; put an incessant belt of circumnavigations round it; peeped in at Behring’s Straits; and in all seasons and all oceans declared everlasting war with the mightiest animated mass that has survived the flood; most monstrous and most mountainous! That Himmalehan, salt-sea Mastodon, clothed with such portentousness of unconscious power, that his very panics are more to be dreaded than his most fearless and malicious assaults!
And thus have these naked Nantucketers, these sea hermits, issuing from their ant-hill in the sea, overrun and conquered the watery world like so many Alexanders; parcelling out among them the Atlantic, Pacific, and Indian oceans, as the three pirate powers did Poland. Let America add Mexico to Texas, and pile Cuba upon Canada; let the English overswarm all India, and hang out their blazing banner from the sun; two thirds of this terraqueous globe are the Nantucketer’s. For the sea is his; he owns it, as Emperors own empires; other seamen having but a right of way through it. Merchant ships are but extension bridges; armed ones but floating forts; even pirates and privateers, though following the sea as highwaymen the road, they but plunder other ships, other fragments of the land like themselves, without seeking to draw their living from the bottomless deep itself. The Nantucketer, he alone resides and riots on the sea; he alone, in Bible language, goes down to it in ships; to and fro ploughing it as his own special plantation. THERE is his home; THERE lies his business, which a Noah’s flood would not interrupt, though it overwhelmed all the millions in China. He lives on the sea, as prairie cocks in the prairie; he hides among the waves, he climbs them as chamois hunters climb the Alps. For years he knows not the land; so that when he comes to it at last, it smells like another world, more strangely than the moon would to an Earthsman. With the landless gull, that at sunset folds her wings and is rocked to sleep between billows; so at nightfall, the Nantucketer, out of sight of land, furls his sails, and lays him to his rest, while under his very pillow rush herds of walruses and whales.
(Thank you Project Gutenberg.)
Ready to remake? Write a poem, a prose riff, some associative listing, a responsive set of questions, … up to you. And then send it to us here at Submittable.
We continue to work with the pieces you’ve contributed to the project so far, arranging and sometimes re(re)casting them for the May festival. We are excited. It is coming together.
The April 30 contributor deadline is just a few weeks away now, and we anticipate many more arrivals over the next few weeks. Thank you in advance for whatever you’re creating right now. We’re thrilled in advance to see it.
And with two weeks to go, it is really not too late to join us. If you’d like to remake a chapter of Moby-Dick, or if you have one chapter and would like to do another, c’mon. The more the merrier. Just email us at email@example.com and read the call.
Happy mid-April Monday!
The Crazy Ahab image is actually one of many options for a Demoman item in Team Fortress2, the Bearded Bombadier.
Thank you Team Fortress2 Wiki for the backstory. Go ahead, read the article and check the ever-widening influence and remix of Moby-Dick.
We are remaking Melville’s great novel Moby-Dick. And we need you to help us.
How does that work? We give you prompts, images, chapters, concepts, whatever you need to get you going.
How do you get started? Email us at firstname.lastname@example.org.
What happens with what you create? Our project curator is assembling all the contributions to create a remade Moby-Dick, chapter by chapter. In May, in Karlskrona, Sweden, the project will be exhibited as a collection of video artifacts on endless loop. In the late fall, we are releasing a print version of the artifacts as a “remade” novel, with a companion multimedia website.
Do you have to submit a video? No. Submit what you have. Talk to us about what you have. We are working with people where they are.
Do you have to be a Melville person? No. But fair warning: soon, you might become one.
Many of the chapters are already assigned, but we do have more waiting for you. Let’s talk.